Disney Pixar's "Turning Red" - Mei as a Red Panda Learns Acceptance
Growing up is a challenge for everyone.

Chicago's Englewood is a neighborhood where death is an everyday reality, but a serial killer on the loose has raised the terror quotient tenfold with the brutality of his crimes. When a newspaper photographer uncovers evidence linking the murders to the past, however, the intimations are almost unthinkable. Herman Webster Mudgett Jr., who was buried face down in the late 1800s after achieving the distinction of becoming America's first serial killer, seems to be back and out for revenge. The intrepid reporter has a personal stake in the mystery, as her mother was murdered by a descendant of Mudgett's; she sets out to discover if the urge to kill has been passed down in the blood, or if the culprit is truly from beyond the grave. This hip urban thriller strikes an effectively creepy mood, and features a talented cast that is almost entirely African American.
Growing up is a challenge for everyone.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
'Do Revenge' offers a 2022-relevant sociopolitical commentary that decries virtue signaling while promoting the inclusive virtues the nefarious power structures exploit.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Fiction doesn't have to be the model for how our real-life pandemic plays out. Here's how we can avoid the dangers shown in "Contagion."