
There's dirty work afoot at the crossroads when arch-villain Howard Breen and a crooked banker are scheming to take over the Jeremiah Grant's ranch, and Breen also has his eye on Grant's daughter, Evelyn. However, cowhand Johnny Bowers, who also has an eye on Evelyn, and his horse, Lightning, put an end to the villainy.
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.