Mirrorball (Miami sFF Review): A Passionate Tribute to La La Land
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.

A man’s voice from offscreen. He lists individual words, has problems of articulation. At first these are abstract terms, the screen stays black. Sky, street, village and house, however, are accompanied by suitable images. They take us into the speaker’s life. It is his house. These are his automatic shutters. We look into the kitchen where his wife is preparing something. He exercises in a specially equipped room. Later he sits in front of the microphone again, obviously recording his voice to preserve it. Another dimension opens between the recorded words and sentences and beyond the images. There is an inevitability in the room – and a great love. The robot vacuum makes its rounds. Who will put the words stored on the computer into a meaningful context later?
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
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