Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

The End of the Tour poster

The End of the Tour (1917)

A lonely wife runs off with a traveling actor, taking her boy with her but leaving her daughter behind. The boy, Byron Bennett, grows up, and is stranded back in Mayville with a theater troupe. To make enough money to get out of town, they teach the local fire department how to put on a play. While the village cutie Grace Jessup is being shown how to act, one of the troupe tries to seduce her. Byron, knowing what the lecher is up to, even if Grace doesn't, follows the pair and chokes the man senseless.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


A lonely wife runs off with a traveling actor, taking her boy with her but leaving her daughter behind. The boy, Byron Bennett, grows up, and is stranded back in Mayville with a theater troupe. To make enough money to get out of town, they teach the local fire department how to put on a play. While the village cutie Grace Jessup is being shown how to act, one of the troupe tries to seduce her. Byron, knowing what the lecher is up to, even if Grace doesn't, follows the pair and chokes the man senseless.

Rating:NR
Genre:Drama
Directed By:George D. Baker
Written By:George D. Baker
In Theaters:1/29/1917
Box Office:

Runtime:50 minutes
Studio:Columbia Pictures

Articles You May Like


Who Needs 'Independence Day' When You've Got 'Sorry to Bother You'?

Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.

Matt Geiger