Examines the devastating effect that overfishing has had on the world's fish populations and argues that drastic action must be taken to reverse these trends. Examines the imminent extinction of bluefin tuna, brought on by increasing western demand for sushi; the impact on marine life resulting in huge overpopulation of jellyfish; and the profound implications of a future world with no fish that would bring certain mass starvation.
Rupert Murray
Director
Ted Danson
Narrator (voice)
Ben Bradshaw
Self - UK Fisheries Minister 2003-2007
Roberto Mielgo Bragazzi
Self - Former Tuna Farmer
Charles Clover
Self - Author, "The End of the Line"
John Crosbie
Self - Fisheries Minister, Canada (archive footage)
Haidar El Ali
Self - Diver, Senegal
Ray Hilborn
Self - University of Washington
Jeffrey Hutchings
Self - Dalhousie University, Canada
Mélanie Laurent
Narrator for France (voice)
Manolo Pacheco Luis
Self - Fisherman, Straits of Gibraltar
Patricia Majluf
Self - Cayetano Heredia University, Peru
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.
A24 keeps producing amazing films and X belongs with all the brilliant titles under its name. And is definitely a must-watch for a film enthusiast!
Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.