The End 

When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like

It is not hard to make a musical biopic that pleases audiences and draws a profit.  Michael is no exception. 

Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

Great films not only give us great stories, but also great soundtracks. Here are some of our favorite picks for soundtracks songs.

The story continues in 'Tall Girl 2' as Jodi finds herself playing the lead role in the school's musical production.