"Little Woods: A Powerful New Take On The Western Genre
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.

In 1887, at a time when duels are in vogue in Paris, Clément Lacaze and Marie-Rose Astié meet. He's a charismatic master of arms; she's a feminist, far ahead of her time. Clément gets caught in a spiral of violence and decides to initiate Marie-Rose in the art of dueling. The two must work together to save face. How far will they go to defend their honor?
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
As one of the women said in the film, friendship in your teens is “as important as any lover” and it’s clear they lived that philosophy throughout their early adult lives as well.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch