Tragedy Girls
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.

Elmer attempts to elope with his fiancée, but they escape her parents by driving off in a car that's actually owned by a wanted gangster. When they hear on the radio that the police are looking for them, they dump the car and hide out near a farmhouse. But the farmer's radio also broadcasts the couple's description, so they run away and start hitchhiking, only to be picked up by two policemen. They manage to flee into a railroad yard and hop a train that turns out to be refrigerated. Finally they decide to turn themselves in -- just as they learn that the real crooks have been apprehended.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Dead Poets Society brilliantly combines defeat and optimism, rejection and love, craziness and daring, fear and freedom.
The Last Duel is about rape. Although the film delves into rape culture in medieval Europe, there are many striking similarities to modern rape culture.
Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.
Digger is a smart film, one that takes what could have been a “seen it before” message and gives it new life.