This mythic love story set in a timeless, lavishly colorful and mystical Jerusalem incorporates hard rock, striking set design, computer-generated imagery and modern-day tensions between the secular and the Orthodox worlds. Hanan, a handsome young traveler - who has pierced ears and wears grungy flannel shirts - falls in love with Lea, the beautiful daughter of a leader in the religious community. Unbeknownst to the couple, a deal was struck, years earlier, in which they were promised to each other by their fathers. When Hanan consults with a master of Kabbala, a set of mysteriously forbidden eleventh-century texts unleashes untold powers, merging the erotic with the divine and affirming love's infinite potential to transcend all obstacles. The lovers are played by Yehezkel Lazarov (Waltz with Bashir) and Ayelet Z'urer (Angels & Demons; Vantage Point). (from sfjff.org)
A lonely little Hawaiian girl and her mischievous blue alien friend form a bond that heals both of their hearts, as well as ours. This live action version adds emotional nuances—notably in the sisters’ dynamic—while preserving the charm of the original.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
