Incluvie News - YouTube Overtakes Netflix with Teen Viewers
YouTube surpasses Netflix but there is more to the story.

The story of a protest, told by Jancis Robinson. Fulbeck is a small, picturesque village, in the heart of some of the best farming land in Britain. It has a squire, a pub, champion bell ringers, a successful cricket team. In February of this year the Government proposed the World War II airfield at Fulbeck as a possible site for a nuclear waste dump. The news came like a thunderbolt. Over the next months the lives of the villagers were transformed.
YouTube surpasses Netflix but there is more to the story.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
This is not a story of oppression but a story of liberation.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.