Freakier Friday: Maybe It Was Freaky Enough the First Time?
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.

During the reign of King Sejong in the 15th century, the Joseon Dynasty was the embodiment of the perfect state. To the Ming China, the aspiring imperial power, Joseon presented an obstacle to territorial expansion. To protect themselves from war, King Sejong develops a secret weapon to defend their territory and take back their land and supremacy.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
It's sexy, regardless of what else is going on.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.