Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

In Soviet-era Estonia, three young mavericks drop everything and flee to Sweden, but soon learn the free world is not all it's cracked up to be.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
The second film takes us on Peter's journey to be understood.
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.