Guillaume has made it: A machine that can clean dirty air by simply sucking all dirt into air balloons and then shipping them far far away so his explanation. Some Japanese business guys, after dinner with a lot of alcohol, order 5,000 pieces. His only problem: His production capacity is way to small so he gets to produce the machines in his private house. His wife Bernadette is far from being happy about it. Her private life goes down the line so she decides to leave Guillaume and to finally have revenge she candidates for major against her husband...
Claude Zidi
Director
Louis de Funès
Guillaume Daubray-Lacaze
Annie Girardot
Bernadette Daubray-Lacaze
Maurice Risch
L'imbécile
Jean-Jacques Moreau
Le contremaître
Geneviève Fontanel
Madame Berger
Jacques François
Le préfet
Georges Staquet
Le délégué-ouvrier
Mario David
Le camionneur
Daniel Boulanger
Le directeur du Crédit Agricole
Tanya Lopert
La première dame
Julien Guiomar
Dr. Landry
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.
A science fiction movie brings a strong diverse cast and adventure in outer space.