Troll Hunter: Horror with a Playful Look at Religion
It surely isn't for everybody and could certainly offend some folks, but Troll Hunter takes a different approach to representing religion in a film.

"The Disappeared" relives the horrors of Argentina's Dirty War (1976-83) through the experience of Horacio Pietragalla, a young man raised by the maid of the officer who kidnapped him after the military brutally murdered his parents. The film follows Horacio as he reconstructs the cause for which his real parents gave their lives, and, through this search, reclaims his true identity. This personal journey internalizes the tragedy that ravaged the country for seven years and exposes polarized views on state-driven terrorism in groundbreaking interviews with top military officials, concentration camp victims, human rights activists, journalists who covered the events, and members of Horacio's surrogate and biological families.
It surely isn't for everybody and could certainly offend some folks, but Troll Hunter takes a different approach to representing religion in a film.
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.