Reflecting on 'The United States vs. Billie Holiday'
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.

Upon hearing a grim outlook from a psychic one morning, Zelda Pickford willingly sets in motion a series of humorous and harrowing events that unfold during the course of a New Year's Eve dinner party. A disastrous love triangle ensues in a story that raises the classic question—was it fate or was it folly?
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
This coming-of-age Mexican movie is about a group of school children who fulfill their dreams.
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.