“Tony” is Yet Another Good Biopic
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

(In development) Alex Watson is a young black man, raised in the secluded Highlands of Scotland by white adoptive parents. When Alex moves to Glasgow, he must leave his protective bubble behind and learn what being black in the modern world truly means.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
This story solidified my choices to consume a more plant-based diet and nearly made me cancel my subscriptions to big corporations like Amazon. The narrative was perfectly crafted and on par with Bong Joon-Ho’s other major works; Parasite and Snowpiercer.