Gautami is an Indian Odissi Dancer whose passion in life is dance. Jai Leang is a rising Chinese painter whose paintings are highly influenced by Chinese culture. Jai is drawn to Gautami because of her grace and charm. She pays no attention to him; she doesn't believe in marriage after her father dumped her mother for another woman. Gautami travel worldwide for her shows; it's a deliberate move on her part, and she and Jai lose contact. Gary organises an exhibition of Jai's paintings in India where his search for Gautami begins. He locates her in a monastery. He pleads to make a portrait of her. That night turns out to be fateful.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
'Ganja & Hess' is a 1973 experimental horror film, written and directed by the visionary auteur Bill Gunn. It was meant to be a straightforward blaxploitation film – but director Gunn had grander ambitions.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
How do zombie films shine new light in the post-Covid and post-Brexit era?
Based on the best-selling novel by Angie Thomas and a maxim of the late Tupac Shakur.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
