“Tony” is Yet Another Good Biopic
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

Detective Di Renjie investigates strange incidents caused by a spell summoning the dead, only to discover the terrifying reality that ghosts truly exist.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.