'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

Inspired by terrifyingly true events... When demons infest the cell phone of a troubled teenage girl, her demonic possession soon follows, forcing her atheist parents to seek the help of a Catholic priest in order to survive the unspeakable evil taking over their lives.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
Sweetheart provides a stark example of self-isolation taken to its extreme.
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.
The Weight is highly recommended, will transport you back to its Great Depression-era setting and will have you rooting for the protagonist harder than most films this year