An Interview with Writer/Director Albert Acosta
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.

Jim Lassells travels to Africa to obtain proof that his cousin Harold Brooks is dead as rumored, and learns that an Algerian sultan killed the rich American. Since it is assumed that Brooks was childless, Jim inherits his cousin's fortune. At a slave market he buys a young girl named Perdita and sends her to a convent in Corsica to be educated. Years later, Jim meets Perdita again while traveling through Corsica with the impecunious Duchess of Westgate and her daughter, Lady Lilah Grey. When the party stops at an inn, Jim discovers that Perdita is not only a Persian princess, but also the long-lost daughter of Brooks, and therefore the rightful heir to Brooks' fortune.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
The latest installment in the beloved media franchise is a unique stylized mesh of humor and heart.
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Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.