“Tony” is Yet Another Good Biopic
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

Inept interior decorator Jimmy is hired to work at the home of a wealthy artist. From the moment he arrives, Jimmy's incompetence leads to disaster as he accidentally damages or destroys any piece of art that isn't securely fastened to the walls. Oliver Hardy appears in the film as "Babe," a millionaire character. Features the screen debut of Kathleen Myers.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
Despite this genre not being a new one, The Novice offers a fresh perspective with its study of performance anxiety
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.