Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

The Deccan Trap is a sci-fi fable that goes back in space and time, with one layer at a time revealed from a cut out collage of stacked images. The piece travels from some of the newest 3D images being produced in India—at post-production studios converting outsourced Hollywood films from 2D to 3D—to some of the oldest—bas-relief carvings in Ellora’s rock cut temples in Maharashtra.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Despite being an over-talked-about piece of media, 'Euphoria' has some interesting articles about it with personal angles that oppose the average tendency to be generic.
Joker is a compelling, character-driven, psychological tale that has a message behind the madness.
Gotham City Sirens needs a female voice behind the camera. So, on the chance someone from DC films is reading this, here are ten female directors who would be good choices for Gotham City Sirens.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.