This GTA IV Machinima tells the story of Marcus "Shade" Reynolds, a notorious thief known across Liberty City for his cunning and ruthlessness. After a high-profile heist, Shade finds himself hunted not only by the police but also by former allies turned enemies, and the ghost of a formal friend, Vincent "Vince" Cruz, whom he had betrayed. Afraid and cornered, Shade’s world unravels in a tense final confrontation in the city’s abandoned docks.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
A direct fall into the white savior narrative
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."
This year, in light of the pandemic and the inability to gather with our loved ones, a few of our staff members reviewed their favorite holiday films with the hope of recreating some of the sentimentality that reminds us of home.
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
