'Alice' Doesn't Live Here Anymore
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'

A bad night out just got a fair bit worse, it's the end of the world! Something terrible has happened, the undead are out in force; roaming the streets and devouring all who get in their way. A group of soldiers, civilians and teenagers take shelter in a local school for protection from the undead hordes outside, but no rescue is coming. Food is running low - morale doubly so, tensions are high and things are looking bad when a stranger arrives outside the gate. Then they get a whole lot worse.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
This Disney+ movie is about a 12-year-old math genius who wants to become a rapper.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.