Dia Frampton Talks Her Career and Roles
Richard speaks with Dia Frampton about some of her experiences with acting and music.

In an estate in the South of Algiers, in the middle of the nineties. Djaber and Yamina are neighbours, but do not know each other. For one as for the other, it is so difficult to meet between girls and boys, that they almost stopped dreaming about it. In a few days nevertheless, what was up to then that deaf and distant violence explodes in front of them, modifying for ever their fates.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
If Miguel Alexandre were trying to make a revenge story seem dull without using all the effective formulas that work great in this catchy genre, he could not have accomplished his purpose much better than he unintentionally has in Black Island.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
'Riders of Justice' perfectly depicts some masculinity problems present in our society. Moreover, it talks about how hard is to lose someone and how different people deal with the situation.