A boy fantasizes about his female classmate, inspired by a letter she's received from her father who works in the far-away Arctic.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
This comedy brings a big surprise to Josh and his family when they move to New York City and struggle to adapt to their new friend.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
The film reminds us to remember the people who had the courage and dignity that had made the world better, even when the memory was absent.
