Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

The Dance poster

The Dance (1992)

An intimate portrait of songwriters, performance artists, and lovers Dan Martin and Michael Biello, “The Dance” explores the interconnectedness of their domestic life, artwork, and selfless devotion to a community of artists they have helped to create and support. The film uses hand-processed footage to convey the emotional intensity of their lives. The handmade quality of the film imparts a sense of poignancy and brotherly loving in the era of AIDS. Based on "The Dance," a song about living on in the face of loss, with music by Dan Martin and lyrics by Michael Biello.
- / 5
PopScore
Representation

Pictures and Videos

Incluvie Gala

Movie Information

An intimate portrait of songwriters, performance artists, and lovers Dan Martin and Michael Biello, “The Dance” explores the interconnectedness of their domestic life, artwork, and selfless devotion to a community of artists they have helped to create and support. The film uses hand-processed footage to convey the emotional intensity of their lives. The handmade quality of the film imparts a sense of poignancy and brotherly loving in the era of AIDS. Based on "The Dance," a song about living on in the face of loss, with music by Dan Martin and lyrics by Michael Biello.

Rating:
Genre:
Directed By:Jim Hubbard
Written By:
In Theaters:12/31/1992
Box Office:

Runtime:8 minutes
Studio:

Cast

Director

Jim Hubbard

Director

noImg
cast

Michael Biello

cast

Dan Martin

Articles You May Like

"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger