The Cut Runs Deep 

The latest installment in the beloved media franchise is a unique stylized mesh of humor and heart.

Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.

She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.

My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.

The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.