An Indian summer, 1942: "When I was thirteen, all I wanted to be was a hero." A young evacuee's response to the surrounding war-obsessed adult world seems the only one available to him, until he forms 'a particular friendship' with another boy, a Jewish refugee. This threatens the stability of his gang (who also mirror the racist/jingoist attitudes of adulthood), and he is caught in Forster's great liberal crux: your country or your friend?
Is God Is tells a harrowing tale of retribution, sisterhood, and gender based violence. Far too eerie and clever to be an ordinary slasher, but too gory and merciless to be an ordinary thriller, Is God Is will appeal to the highbrow horror lover with generational trauma anywhere.
YouTube surpasses Netflix but there is more to the story.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
A science fiction movie brings a strong diverse cast and adventure in outer space.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
