
Three sisters, Barbara, Theodora, and Kiki, have inherited an old mansion from their father, but they cannot sell it unless they first find a husband for their fourth sister, Filio, who is both deaf and dumb. Two suitors reject her immediately and she rejects the third suitor, but falls in love with the fourth, a diplomat who turns out to be a fraud. The suitor of the youngest sister, Kiki, Markos Spyropoulos, who is a building contractor, decides to bring order to the house. Already living there are Barbara's lazy future husband, Tryfonas, and Theodora's fiancé, Pantelis, who is a lifelong student. Filio is sent to Australia to find a groom, but she returns on the same ship to finally marry a middle-aged man, Prokopis.
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
When you first hear that there is a series on Netflix where the lead character’s wife dies from cancer and he becomes dangerously suicidal, you wouldn’t immediately assume that it’s a comedy.
As a frequent “the book was better” extoller, this movie was well worth the watch.