On the cusp of his 50th birthday, Nacer Belkacem dreams of a better life. Yet, over the years, he has built himself an enviable position in the eyes of all: a loving family man, a happy husband, a model employee, and a respected citizen in his community. But the veneer is cracking. Beneath a seemingly perfect surface, Nacer has racked up expenses, made questionable investments, and is up to his neck in debt. On the brink of ruin, he devises a desperate plan to try to pull himself out of the water. You only have one life to earn your way to heaven...
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.
