The Cornershop 

The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.

America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.

Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?

We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.

If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.

Eddington attempts to capture how media is intertwined with the uncomfortable present.