Stop-motion experimental short where two men communicate with one another, talk on the telephone, smoke cigarettes, and contort themselves. Produced 1987 and released in 1988 on the VHS compilation Fat of the Land, released via Factory Records video imprint IKON. "Here is the first tape of a new British cinema which should be seen by everyone who loves film. The official British cinema is truly dead, alive only in admens bought dreams. This is the way to go."- Derek Jarman
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
'Playing with Fire' was clearly a film made for a kid or tween-ish audience. Keeping that in mind, I thought 'Playing with Fire' was alright, though it did portray some harmful stereotypes.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
We are constantly being pushed to move on from mishaps and negative feelings. What happens if we're not ready to do so?
