In a small Breton town, a 10-year-old girl is found murdered. René, her art teacher, a professional painter, is the last person to have seen her alive. The inspector in charge of the investigation immediately questions him. In this small provincial town where people all know each other and regularly meet at the Bar des Amis, René is increasingly unsettled by the other inhabitants' suspicions and by the inspector's investigation. Children stop coming to him for lessons. His wife, Viviane, a district nurse, protects him and supports him with her love. However, a self-centred media-star writer adds to René's confusion...
Claude Chabrol
Director
Sandrine Bonnaire
Vivianne Sterne
Jacques Gamblin
René Sterne
Antoine de Caunes
Germain-Roland Desmot
Valeria Bruni Tedeschi
Frédérique Lesage
Bernard Verley
Inspecteur Loudun
Bulle Ogier
Évelyne Bordier
Pierre Martot
Regis Marchal
Noël Simsolo
Monsieur Bordier
Rodolphe Pauly
Victor
Adrienne Pauly
Anna
Véronique Volta
Betty
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
A short hybrid film featuring everyone's favorite Disney characters.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
Dracula evolved from a person to a monster and then from a monster to a person.