It: Chapter Two Review: An Ambitious, Worthwhile Sequel
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.

The artistic cyclist Gaumont, his girlfriend Baptista, and their partner Rosa arrive in town with their travelling circus. Rosa is secretly in love with Gaumont, and to her great delight, she gets the opportunity to travel alone with him when Baptista gets injured and is bedridden. The two of them grow closer in secret, but the clown Pierre, who has set his sights on Baptista, gossips about the lovebirds for his own gain, thus igniting a fatal thirst for revenge in the betrayed. Stumfilm.dk
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Sam Levinson's latest film can't keep up with the excellence of its performances.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.