A trained actor, the protagonist is dreaming of playing tragic heroes of the classical repertoire, but his career is going nowhere. In order to earn a living, he becomes “Coquetti the Clown” and gets hired to entertain kids at birthday parties. In the film, we see him on his way to fulfill one of his usual contracts, or so he thinks, not yet knowing that a lifechanging experience awaits him.
The May Incluvie Movie Highlights features 3 fantastic coming-of-age films. We explore butterfly-inducing Sneakerella and Crush, and the sadly timely feature - The Fallout, about the after-effects of a school shooting.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
