The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

While an irate Principal Washington waits for the maintenance man to arrive, the five classmates from different social classes are reluctant to entertain one another. Never crossing paths in high school, the sudden lock-in forces the once jock, nerd, popular girl, teen mom, and delinquent to interact. After a decade of tensions, old beefs resurface, secrets are exposed, and tears are shed as Tia, Nate, Cherry, Jade, and Saint pass time, realizing they aren’t as dissimilar as their statuses projected.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
A movie that brings Indian culture with classic Bollywood themes and electronic dance music.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.