In the late 70s, young Petra Grust begins teaching at the progressive Odenwald School. She is flattered by the trust placed in her by its widely respected headmaster Simon Pistorius. But gradually certain incidents at the boarding school begin to unsettle her. Petra then realizes that Pistorius is abusing Frank, a 13-year-old. When Frank is told that he has to spend school holidays with Pistorius, he tries to commit suicide. Petra tells Frank's father (the chairman of the school's governing body) but he believes Pistorius instead of his own son. Petra fails to convince people of the man's true nature. 30 years later, Frank goes to Petra, who has long since left the school and has stopped teaching altogether. He has never been able to speak about what happened but now, after the suicide of another pupil, he is no longer willing to remain silent. He wants Petra to bear witness at the school's forthcoming anniversary celebrations.
Christoph Röhl
Director
Julia Jentsch
Petra Grust (jung)
Ulrich Tukur
Simon Pistorius
Johanna Gastdorf
Petra-alt
Lena Stolze
Vera
Patrick Joswig
Frank Hoffmann
Rainer Bock
Helmut Hoffmann
Anna Blomeier
Ulrike
Nico Kleemann
Volker
Leon Seidel
Frank Hoffmann
Béla Gabor Lenz
Erik von der Burg (jung)
Gertrud Dassl
Edith Blank
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
Trolls: World Tour doesn’t just pay lip service to diversity and inclusiveness. There is no white-washing of the voice actors. From the actual K-Pop group Red Velvet voicing the K-Pop Troll bounty hunters to Keenan Thompson playing the Tiny Diamond baby to Kunal Nayyar’s Guy Diamond, the cast includes more than just token minorities.
Jennifer Lopez leads the story as Zoe, a determined woman who opts for artificial insemination after a string of failed relationships. Lopez's portrayal adds depth and warmth to Zoe
Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.
Rather than following in the footsteps of poorly made horror flicks, “The Quiet Place” follows original concept.