Quarrier's rival Robert Lester schemes to have the engineer imprisoned, but the government pardons him so he can oversee a project vital to the country's growth. On the job, Quarrier once again meets Lester, who has tricked Alberta Bradley into selling him the land which is to be used for the project. Alberta still feels as if the land is her own, and threatens to kill the first of Quarrier's workers to swing a pick into it. Quarrier himself begins digging, and while she is unable to kill him, she vows to hate him forever. Gradually, their relationship softens, and the two come to love each other, with Alberta acknowledging the worth of Quarrier's project. Then, working together, they expose Lester to government authorities, since he has been plotting to keep all of the project's profits for himself.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
A gentle coming of age story, Water Lilies takes its time in exploring what it’s like to be a young girl trying to make sense of her sexuality in a heteronormative world.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
Who said Batman is the only hero to rock the black cape? This article will explore vampires as trans allegories and the femme fatale trope being remastered.
A boy named Max experiences adventure within his own house while staying home alone.
