'The Mad Woman and the Feminist' Review: MiamisFF
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.

Quarrier's rival Robert Lester schemes to have the engineer imprisoned, but the government pardons him so he can oversee a project vital to the country's growth. On the job, Quarrier once again meets Lester, who has tricked Alberta Bradley into selling him the land which is to be used for the project. Alberta still feels as if the land is her own, and threatens to kill the first of Quarrier's workers to swing a pick into it. Quarrier himself begins digging, and while she is unable to kill him, she vows to hate him forever. Gradually, their relationship softens, and the two come to love each other, with Alberta acknowledging the worth of Quarrier's project. Then, working together, they expose Lester to government authorities, since he has been plotting to keep all of the project's profits for himself.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
Two young girls meet in the same neighborhood unexpectedly as they embark on a new adventure using their imaginations as this movie brings strong representation among women.
A homeless girl faces depression and uncertainty during the holidays.
I am an Armenian who has a mild form of epilepsy. I rarely see Armenian culture and epilepsy properly portrayed in film or TV. I delve into the how and why.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.