Why Wish and similar Disney films don't work
Disney movies have taken a bit of a downward turn recently. How come?

Attractive and sexy 1960's era suburban housewives, all dressed in mid-century modern pitch-perfect styles, are hell bent on one-upping each other as "Hostess with the Mostess." They hold dinner parties that become increasingly boozy, flirtatious and wild -- and soon more than recipes get swapped.
Disney movies have taken a bit of a downward turn recently. How come?
The story is a moving sentiment of letting go of the past and putting trust and faith into others. Though you come into this world alone, surrounding yourself with others that support you and want to help is the greatest gift life could ever give.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.