'My Adventures with Superman' Premiere Review.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.

This is a fictitious, yet mostly historically accurate account of Jeffrey Dahmer's life as a serial killer, as narrated by Jeffrey Dahmer (Giancarlo Herrera) using many actual quotes. It shows part of his boyhood, and his first murder as a teenager. There are realistic depictions of several of his murders from pick up to dismemberment and eventual consumption, as well as his attempts to create "living zombies" by pouring hydrochloric acid into his victim's skulls. Dahmer's frequent interactions with his friendly neighbor and his grandmother are also shown. In essence, the story explores the psychodynamics of Jeffrey Dahmer's relationships with his victims both pre and postmortem.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
The accountant in question is Christian Wolff (Ben Affleck), who’s neurodivergent. We know this because at a dating event, he bores women with tax advice. He also places his breakfast foods in neat stacks and has no friends.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
In this short film, writer/director Nikita Hattangady focuses on Jai, a starving artist rooted in the latter category. Though unhoused, he works hard.