"Godzilla vs. Kong" is pure, stupid fun
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.

The Candy Shop is centered around egocentric airbrush artist, Antwon Lemiuex. With his love of women and the female anatomy, he opens the first lingerie shop in the hood that specializes in sexy body paint - from sexy lollipop swirls to $100 bills, so you walk out feeling like a million bucks! Everyone gets entangled with CJ, the local bootleg hustler, selling everything from baby goats to dialysis machines, and superstar Kock Deisel, the epitome of a hard gangster rapper, who's out to take over the Candy Shop.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Like most young people, Leviticus is imperfect. But I love it anyways.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
Taylor Swift details her successful music career in country and pop genres in this featured documentary film Miss Americana.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.