The Cake Eaters (2007)

Apart from the fact that they’re both brilliant American screenwriters and directors, Christopher Nolan and Greta Gerwig don’t have much in common. Their filmographies couldn’t be more different. The Inception director is known for making intellectually intriguing large-scale films which tell expansive stories about enigmatic characters and often present like a puzzle for the viewer to solve. On the other hand, the Little Women director is known for making tender slice-of-life movies focused on one or a few ordinary people which explore the emotional and philosophical implications of patriarchy and the human condition itself. Not just that, their two latest films, Barbie and Oppenheimer are films about the world’s most famous doll and the world’s most famous weapon of mass destruction respectively. So, yes, on the face of it, the entire phenomenon of ‘Barbenheimer’, this joint hype for the two films because they’re releasing on the same day, is just a meme and an example of people getting lost in the sensationalism that comes with the growth of pop culture.

It works brilliantly as a marketing strategy for both films, representing our obsession with paradoxes and filmgoers’ love for claiming favourites amongst films. It also does something which neither film could have hoped to do alone – unite two seemingly disparate groups of filmgoers. A Greta Gerwig film draws a crowd of Indie film lovers and a large percentage of the viewers are women. Similarly, a Christopher Nolan film draws a crowd of people who enjoy large-scale intellectual exercises and is often majority male. Please note that these are gross generalizations and it’s entirely possible that there were theaters packed with men who watched Little Women or women who watched Interstellar. Nonetheless, these are representative statistics, and thanks to ‘Barbenheimer’ the two crowds crossed paths. But instead of waging war over which film is better and jeering at each other, they mostly decided to join hands and go see both!