
Based on 1947 short story of the same name by Hasan Azizul Haque.
Intergenerational friendships and community can be so powerful, and this was a great example.
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.