Helēna feels unfulfilled in her marriage to Rihards, a university lecturer. Together with their children Ēriks and Maija, they go to their house in the countryside to renovate it as Helēna hopes to soon be able to organise dance retreats there. More surprising than the dreariness of their relationship are the creatures that inhabit their forest house – fleshy caterpillars in the wallpaper, slithering worms on the dinner plates, and stag beetles on the damp walls. As the terror of the insects takes hold, Helēna and Rihards each take up positions on opposing front lines in a war that also uncovers the children’s phobias and losses they have not yet processed.
Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary
As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.
Looking back at the representation of different cultures in the magical world of Harry Potter
Intergenerational friendships and community can be so powerful, and this was a great example.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
Explore the tension between director intention and viewer interpretation in this review of the excellent sci-fi horror of 'No One Will Save You.'
