'Shang-Chi' Delivers Epic Superhero Action and Positive Asian Representation
Marvel’s first Asian superhero film, 'Shang-Chi', deserves praise for balancing epic superhero action, a heartfelt family plot, and positive Asian representation.
The Boys from Marx and Engels Street
Stanko (30) has to kill a man, for the first time. The same day, his younger brother Vojo (16) has to have sex for the first time. Roads of the two brothers will cross the same day several times, in an unusual way
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Stanko (30) has to kill a man, for the first time. The same day, his younger brother Vojo (16) has to have sex for the first time. Roads of the two brothers will cross the same day several times, in an unusual way
Rating:
Genre:Crime, Family, Drama
Written By:Milica Piletić, Nikola Vukčević
In Theaters:
Box Office:
Runtime:94 minutes
Studio:Embrio Production, Artikulacija, Cinnamon Production
Cast
Nikola Vukčević
Director
Momčilo Otašević
Stanko, mlađi
Goran Bogdan
Stanko
Ana Sofrenović
Majka Radmila
Emir Hadžihafizbegović
Andrija Potpara
Branka Stanić
Lela
Nebojša Glogovac
Tata
Filip Đuretić
Vojo Jovanović
Anđela Mićanović
Danica
Branimir 'Bane' Popović
Petar Potpara, stariji
Julija Milačić
Žaki
Zoran Dragićević
Žuga
Articles You May Like
The Grainy Landscape, Worn-Out Household, and Remembering the Past in 28 Years Later
How do zombie films shine new light in the post-Covid and post-Brexit era?
Why 'G.B.F.' (2013) is Pretty Good, Actually
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
Freakier Friday: Maybe It Was Freaky Enough the First Time?
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
‘Someone Great’: Loss in the City
Hitchcock's Subtextual Coding in 'Rope'
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.