Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
The Boy and the Ball and the Hole in the Wall poster

The Boy and the Ball and the Hole in the Wall 

Not realizing the dangers he is facing, Young Dieter will do anything to get his ball back after it was thrown over the Berlin wall by a ruthless guar
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Not realizing the dangers he is facing, Young Dieter will do anything to get his ball back after it was thrown over the Berlin wall by a ruthless guar

Rating:
Genre:Drama
Directed By:Ismael Rodríguez
Written By:Ismael Rodríguez, Pedro Mario Herrero
In Theaters:
Box Office:

Runtime:85 minutes
Studio:Diana Films

Articles You May Like


Short Film Review “With Arms Raised” A car ride, conversation, what we’ve experienced, personal judgements, and what we resort to is explored with both enigmatic then striking impact

“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.

Kirk Fernwood

"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger