
"The Boxer" is Mirco, a naive daredevil who easily slips his fist. "The Hairdresser" is the gay marriage swindler Fränki. Both are in jail, sharing a cell and a bed. Fränki adores Mirco. But when they are both free again, everything seems different: Mirco confesses to Fränkie that he was only "gay in jail" and has fallen in love with Jenny. And yet: Mirco and Fränki need each other.
Given a choice between a man and a mountain, it’s safer to choose the mountain.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
The singer recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life.
This article discusses the classic and timeless franchise, The Smurfs.