A hitchhike along a new border in southeastern Armenia becomes a journey within a human landscape. People try to show us the border and share stories of how it affects their lives. They sing about the soil on the other side and mourn what has been lost. This was once an area where people of different groups lived together, but wars and forced migrations have transformed a “we” into “us and them”. The border is very real and impossible to cross. But it is abstract and invisible in the landscape. Where is it? Is it inside us?
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
Cursed is based on Frank Miller’s graphic novel, and is a retelling of the Arthurian legend with a twist. Instead of King Arthur gaining Excalibur, a teenage sorceress named Nimue (Katherine Langford) does. Her people — the Fey — are being hunted down, and so Nimue will do whatever it takes to save them.
The external threat invaded the domestic environment at the most valuable moment: grieving.
Bollywood's thrilling fusion of what the blind man saw and the boy who cried wolf.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
