
The Boomtown Rats are among the great voices of the British punk and new wave era, formed in Dublin in 1975 around Bob Geldof. With songs like "Rat Trap" and the worldwide hit "I Don't Like Mondays," they made music history—biting, melodic, and socially critical. After a long hiatus, they returned in 2013 and have since proven that taking a stand is timeless. Their current chapter combines classics with fresh energy, especially for their 50th anniversary. At Wacken, on August 1st 2025, they brought their rebellious mix of rock, punk, and new wave to the stage, as a reminder that good protest always needs a damn strong chorus. Setlist: "Rat Trap", "(I Never Loved) Eva Braun", "Like Clockwork", "Neon Heart", "(She's Gonna) Do You In", "Someone's Looking at You", "I Don't Like Mondays", "Against the World", "She's So Modern", "Diamond Smiles", "The Boomtown Rats"
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
Trolls: World Tour doesn’t just pay lip service to diversity and inclusiveness. There is no white-washing of the voice actors. From the actual K-Pop group Red Velvet voicing the K-Pop Troll bounty hunters to Keenan Thompson playing the Tiny Diamond baby to Kunal Nayyar’s Guy Diamond, the cast includes more than just token minorities.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.